In this first entry in my irregular book review series, I sit down to review Robert A. Heinlein’s “Job: A Comedy of Justice.” Heinlein is considered one of the greatest science-fiction writers in history whose influence can be felt all across the spectrum of Western culture, including in art, television, books, and literature. His writings explore ideas of individualism, society, community, faith, religion, sex, and human rights.
In “Job: A Comedy of Justice,” Heinlein adapts the classic biblical poem of Job into a modern tale set in the late 90s where a man and woman are being hurled through parallel universes at random as reality begins to collapse in the face of the oncoming End of Days and Final Judgment. In my review I cover the story of the book itself, examine the ideas of liberty and human rights that story espouses, study Heinlein’s prose, and evaluate how Heinlein’s need to proselytize for his own radical religious and sexual ideals affects the character and storytelling.
This book has Heinlein at his best and his worst and I explore it all.